Archivos para las entradas con etiqueta: cancelled matches series

Gabriel de la Mora, 44,400 III, 2018, made of 1,776 used sides of 888 matchboxes from 44,400 burnt matches on cardboard. Framed dimensions: 100 x 80.5 x 4.2 cm.

unnamed (1)

https://untitled.artland.com/

www.proyectosmonclova.com

www.gabrieldelamora.com

Díptico 333,7000 vertical 1

333,700, 2014, 13,346 laterales usados de 6,673 cajas de 333,700 cerillos encendidos pegados sobre cartulina libre de ácido, 200 x 322 x 6 cm

A través de la acción de encender e inmediatamente apagar un cerillo, su función queda cancelada. El proceso queda registrado en cada uno de los dos laterales de cada caja con 50 cerillos que forman esta pieza.

IMG_2234retrecdist.172638

Gabriel de la Mora: Lucíferos

October 30 – December 20, 2014

Sicardi Gallery invites you to celebrate the opening of Lucíferos, an exhibition of new work by Gabriel de la Mora. The artist will be present at the opening reception from 6-8 pm, Thursday, October 30. A conversation and book-signing with the artist will take place at 1 pm, Saturday, November 1. This is de la Mora’s third solo exhibition at Sicardi Gallery.

In Gabriel de la Mora’s most recent body of work, he uses fire-making as a vehicle for reconsidering geometric abstraction. Striking thousands of matches against the red phosphorus-covered paper on the sides of matchboxes, de la Mora collects the used strikers and arranges them in compositions that create repeating patterns, geometric forms, and rectangular grids. The resulting imagery evokes two distinct historical moments. On the one hand, the enigmatic geometries are suggestive of Minimalist and Op Art paintings from the 1950s and 1960s. And, on the other, the used object, marked by the act of striking matches, insistently presents a different story: that of the industrialization of fire through the invention of matches (one early version of the match was called a Lucifer). By pairing these two narratives, de la Mora explores issues of abstraction and vision, invention and industrialization.

Gabriel de la Mora (b. 1968, Mexico) studied architecture before completing his M.F.A. at Pratt Institute, New York.  His solo exhibition Lo que no vemos lo que nos mira, curated by Willy Kautz, is currently on view at Museo Amparo in Puebla, Mexico.  He has had solo exhibitions at NC-Arte, Bogotá, Colombia; Museo de Arte Contemporáneo de Oaxaca, Mexico; Museum of Latin American Art (MOLAA), Long Beach, CA, USA; and the Art Museum of the Americas, Washington, D.C., USA, among other museums.

Gabriel de la Mora’s work is included in important public and private collections, including Museum of Contemporary Art (MOCA), Los Angeles, CA, USA; Museum of Latin American Art (MOLAA), Long Beach, CA, USA; The Museum of Fine Arts, Houston (MFAH), Houston, TX, USA; El Museo del Barrio, New York, NY, USA; Colección Ella Fontanals-Cisneros, Miami, FL, USA; Museo de Arte Moderno, Mexico City, Mexico; Museo Universitario de Arte Contemporáneo, UNAM, Mexico City, Mexico; Art Museum of the Americas, Washington, D.C., USA; among many others.

For more information, please call 713.529.1313, visit www.sicardigallery.com, or email info@sicardi.com.

Image: Gabriel de la Mora, 30,900 (from the series Cerillos Cancelados), 2014. 1,236 used sides of 618 match boxes from 30,900 burnt matches on cardboard (detail).

http://www.sicardi.com/exhibitions/2014-10-30_gabriel-de-la-mora/exhibitions-artist-works/#

40,550, 2014,  1,622 laterales usados de 811 cajas de 40,550 cerillos encendidos pegados sobre cartulina libre de ácido, 100 x 80.5 cm

A través de la acción de encender e inmediatamente apagar un cerillo, su función queda cancelada. El proceso queda registrado en cada uno de los dos laterales de cada caja con 50 cerillos que forman esta pieza.

 

40,550, 2014, 1,622 used sides of 811 match boxes from 40,550 burnt matches on cardboard, 100 x 80.5 cm / 39.4 x 31.7 in

Through an action of light and immediately extinguish a match, its function its cancelled. The process is registered on both sides of each match box that compose this piece.

 

EXPO Chicago 2014

Septiembre / September 18-21, 2014

SICARDI Gallery booth.

www.expochicago.com

 

www.gabrieldelamora.net